Things to Do in Rome

The Piazza Farnese in the historic center of Rome is named for the huge Palazzo Farnese on one side of it, and is one of the nicest public spaces in this busy city. The Palazzo Farnese was begun in the early 16th century by a cardinal in the Farnese family who would eventually become Pope Paul III in 1534. No expense was spared – in fact, when he became the pope, the size of his still-under-construction palace actually grew. It remains the city's largest Renaissance palace, today serving as the French Embassy, and the dominant building on the eponymous piazza.

Other attractions on the Piazza Farnese include the Chiesa di Santa Brigida, a former house of the Swedish saint that was converted into a church upon her death in the 1370s, and two fountains that look like bathtubs – because they are. Each has as its base a bathtub from the ancient Roman Baths of Caracalla.

The Capuchin Crypt was once thought of as one of Rome's more offbeat attractions, but it has become increasingly popular and is now on many a must-see list. Underneath the church of Santa Maria della Concezione dei Cappuccini, there is a series of six small chapels that serve as the burial chambers for Capuchin friars. These are no ordinary graves, however. There were more friars to be buried in the crypt's sacred soil – brought directly from Jerusalem – than there was space, so older graves were dug up and the bones of the dead monks were used to decorate the chapel walls. Today, visitors can still see the incredibly intricate designs adorning the walls and curved ceilings of the chapels. A sign in the last chapel reminds us that we are just as the occupants of these chapels once were – and we will eventually be just like them, too. It's a slightly macabre stop, not necessarily recommended for children or the squeamish, but it's also not meant to be like a haunted house.

The Piazza Venezia defies many assumptions one might make from the name. It’s an open space, so it can be called a piazza, but it’s really a gigantic intersection and not a public square. And it’s in central Rome, not Venice. The name comes from the nearby Palazzo Venezia, in which ambassadors from the Venetian republic once lived.

The enormous Vittorio Emmanuele Monument faces one side of Piazza Venezia, and the interchange is also at the base of the Capitoline Hill and next to Trajan’s Forum. In short, although this piazza isn’t one in which you’re likely to spend lots of leisure time, you’ll certainly pass through it on your way to and from other major attractions in central Rome.

Those of you taking the bus around Rome will find Piazza Venezia to be a major transportation hub, which is useful for getting around the city. And if you’re ambitious enough to be driving in Rome, you’ll probably pass through the intersection a number of times.

The famous Spanish Steps lead from the Piazza di Spagna up to the Trinita Church. The staircase was constructed between 1723 and 1725 in the Roman Baroque style and is the longest and widest in Europe. The design is an elegant series of ramps with 138 steps in a fan or butterfly wing shape. In May, they are particularly beautiful when the ramps of the staircase are covered in spring flowers.

Architecture aside, what makes the Spanish Steps a favorite spot to hang out is the people watching. It's a place for tourists and locals to sit and enjoy the spectacle of Rome life.

The adjacent Piazza di Spagna is surrounded by wonderful tea rooms and cafes as well as being adjacent to some of the best shopping streets in Rome.

Visitors to the Basilica di San Clemente al Laterano can see not only the present-day church, but also an older church and even older excavations underneath. Evidence suggests that the oldest building on this site likely dates from at least the 1st century B.C.E. It was the home of a wealthy Roman that was probably destroyed during a fire in 64 C.E., but even that structure is thought to have been built on the foundation of an even older building.

Other lower levels of the church have been excavated to reveal a room used in the 2nd century for worship of the cult of Mithras, as well as a 4th century basilica. The church you see at street level today was begun in the late 11th century and features an ornately decorated interior. A visit to the Basilica di San Clemente al Laterano is a fascinating step back in time.

Piazza di Spagna is one of Rome's best-known meeting places, thanks to a stunning statue, the iconic Fontana della Barcaccia and an attractive square that lies at the foot of the famed Spanish Steps. The landmark's central location grants travelers easy access to top attractions like nearby Trinita dei Monti, Keats-Shelley Memorial House and the Column of the Immaculate Conception.

Piazza di Spagna is also a prime destination for people-watching, thanks to the large number of visitors and locals who gather in the public garden and scenic space to celebrate sunshine when there's warmer weather.

Before the Roman Empire rose to power, before a city called Rome even existed, the area had already been occupied for many years. The marshy valleys and steep hills offered natural protection, and while it is thought that individual communities developed on the different hills in the area, they eventually grew together as population increased.

In the 4th century B.C., what are known as the seven hills were joined together by the Servian walls—the ancient walls of Rome—and while modern Rome has far outgrown its original limits, the area around these seven hills still forms the geographical heart of the city. According to the legend, the central hill of Palatine was where Rome was founded by Romulus on the site of older settlements. Today, the whole ridge is an archaeological site that houses the residence of Augustus, the Temple of Apollo and the Great Mother. The biggest of the seven hills is Esquiline Hill.

In Ancient Rome, a “circus” was an oblong arena where events like chariot races, games, and other performances were held. As you might guess, the Circus Maximus was - in a word - huge. It was the Roman Empire’s largest stadium, measuring more than 2,000 feet long by 387 feet wide and capable of holding an audience of 150,000.

First built in the 6th century B.C.E., the Circus Maximus was expanded over the next several centuries (and rebuilt occasionally after fire and flood damaged), until it was rebuilt by Emperor Trajan in the early 2nd century AD. In addition to chariot and horse races, the Circus Maximus also held religious ceremonies, and parades. The last recorded uses of the Circus Maximus are in the 6th century AD, and today there’s very little left of the structures. The site is now a public park, and you can see the overall oblong shape where the Circus used to be, as well as some of the starting gates.

The Trastevere neighborhood of Rome is one of the city’s oldest districts; walking through its cobbled streets during the day you’re apt to forget the busy Roman streets and crowds outside the Colosseum. In the Trastevere, you’d be forgiven for thinking you’d walked into an Italian village. Because, in a way, you have.

The name “Trastevere” means “across the Tiber” (which is “Tevere” in Italian), which should tell you it lies on the opposite side of the river from monuments like the Roman Forum and Colosseum - it’s actually on the same side of the river as Vatican City. There are many inexpensive places to eat in the Trastevere, but the area is essentially hotel-free. To stay here, you’ll need to book an apartment rental or guesthouse, as that’s basically all that’s available for lodging.

By day, the Trastevere is almost unfailingly charming, and the small Piazza Santa Maria in Trastevere is straight out of an Italian countryside hill town.

Standing proud behind the Colosseum and steps away from the beginning of the Via Sacra, the imposing triumphal Arch of Constantine was erected by the Roma Senate in 315 AD in honor of Emperor Constantine's victory over Maxentius at the Battle of the Milvian Bridge that took place three years earlier. At 69 feet (21 meters) tall, the ornate monument was carved from a single enormous block of gray and white marble. In typical Classical style, the great central gateway is mirrored by two smaller side arches and supported by eight Corinthian columns. The arch is decorated with reliefs plundered from other long-forgotten memorials that describe feats of bravery by earlier Roman emperors, as well as inscriptions praising the achievements of Constantine.

The ancient basilica of Santi Quattro Coronati is dedicated to four unnamed saints, all martyred. The name means “four crowned saints,” meaning they were martyrs.

The church was first built in the 6th century, but mostly destroyed in the 11th century. The rebuilt church was much smaller, preserving the original apse. In the 13th century, the Chapel of San Silvestro and a cloister were added – the former decorated with frescoes, and the latter with intricate inlaid stonework designs. The four saints to whom the church is dedicated are buried in tombs in the crypt.

Not to be confused with Florence's Palazzo Corsini, Rome's own Palazzo Corsini and the land it sits on changed hands many times over the centuries before coming to house the offices of the National Academy of Science and first-floor Corsini Gallery as it does today. Surrounded by formal gardens, the Baroque palace's gallery exhibits Italian art with Renaissance showstoppers such as Caravaggio's St John the Baptist (1606), St Sebastian (1614) by Rubens and works by Guido Reni, Fra'Angelico and Carracci. In addition, late 18th-century pieces, historical art and landscape paintings are included.

Otherwise known as the National Gallery of Antique Art or the Galleria Corsini, this gallery is somewhat of a hidden gem with its light crowds and extensive collection of ancient art. Travelers will love exploring the manicured grounds and can note that the gallery's Roman sister collections include Palazzo Barberini and Galleria Borghese.