Things to Do in Cambodia

When the temples of Angkor were abandoned by the kings who built them, the jungle took firm hold of Ta Prohm. This Buddhist monastery, built in 1186 by King Jayavarman VII for his mother, today looks much like it did when it was uncovered in the 29th century. In eerie fashion, giant trees shoot through the tops of structures, while thick vines split walls in two.

A favorite among visitors, Ta Prohm served as the backdrop for Lara Croft’s adventures in the film Tomb Raider, and it’s easy to see why. In all of Angkor, it’s the place where the dominance of nature over manmade creations is most evident and most impressive.

Keep an eye out for a Sanskrit inscription in the stone of the complex, which details that the temple once employed 18 priests, 2,740 officials, 2,202 assistants and 615 dancers, all supported by 3,140 villages.

Beng Mealea is located 40 kilometers east of the main Angkor Wat complex. The temple was mainly constructed from sandstone, with its architectural style identical to that of Angkor Wat. Because of this, it is thought that Beng Mealea was built in the 12th century under the reign of Suryavarman II.

The temple grounds are surrounded by a gigantic moat and was once entirely consumed by jungle. This atmospheric temple is oriented toward the east, with entranceways from the other three cardinal directions also. If entering from the south, visitors will find themselves amid piles of chiselled sandstone blocks, sweeping vines, and mysterious dark chambers.

The layout of the temple consists of three enclosed galleries situated around a central tower, which has now completely collapsed. There’s a well-preserved library in the northeastern quadrant, plus extensive carvings of scenes from Hindu mythology and long balustrades formed by bodies of the seven-headed Naga serpent.

Located 24 miles (38 km) northeast of Siem Reap, the Hindu temple of Banteay Srei lies off the beaten tourist path in Angkor but is a must-see for temple buffs. While small by Angkor standards, the 10-century red sandstone structure is famous for its intricate and well-preserved decorative carvings. French archaeologists who uncovered it during the early 20th century called it “a jewel in Khmer art.”

At the center of the complex are three temples, a central one honoring the Hindu god Shiva and two smaller ones for Vishnu and Brahma. It’s the only complex built from red sandstone and the only one not commissioned by a king, but instead by a royal adviser.

While the decaying structures and overgrown temples of Angkor Wat remain among the most popular destinations in Siem Reap, the rare collection of stone carvings along the Stung Kbal Spean River, often referred to as “Valley of 1000 Lingas,” continues to bring art and archaeology lovers outside the city and beyond Angkor.

The impressive carvings that line the 125-kilometer riverbed pay homage to the Hindu god Shiva. During the 11th and 12th centuries, artisans chipped away at delicate sandstone leaving intricate phallic symbols, mythological creatures and religious images along the shores. Visitors must trek two kilometers up rocky, uneven terrain to spy the hand-carved statues. Some argue the hike is more trouble than it’s worth, but most agree that travelers seeking to connect with nature and explore Cambodia’s rich and colorful history will appreciate a trip to Kbal Spean.

Located within the ancient walled city of Angkor Thom, the Terrace of the Elephants stretches across a grassy expanse for nearly 1,150 feet (350 meters) and once served as a ceremonial platform and foundation for the king’s royal audience hall.

The ornately carved Terrace of the Elephants, built near the end of the 12th century by King Jayavarman VII, gets its name from the relief stone carvings of parading elephants that adorn the terrace walls. Some of the elephant trunks form decorative columns, while more relief carvings depict circus-like scenes of acrobats and wrestling matches.

From the top of the central staircase onto the platform, you can stand and imagine what the view would have been like for the Khmer king at the height of the kingdom’s power, gazing out over sporting events, ceremonies or the triumphant return of his army.

The National Museum is home to one of the largest collections of Khmer art in the world. Well-kept galleries display choice artifacts that pay homage to Hinduism and Buddhism. Even daily objects, like household utensils, and items used in religious ceremonies are on display. Works in the museum, which opened in 1920, are divided into four categories: stone, metal, wood and ceramics. Be sure to check out the bronze standing adorn Buddha, as well as ceramics dating as far back as the Neolithic period.

A 60-foot (20-meter) tall Angkor-style monument built in 1958, the Independence Monument was constructed to commemorate the Cambodians winning back their independence from the French in 1953. Renowned Cambodian architect Vann Molyvann designed the monument; the architecture is patterned after a lotus flower and adorned with five levels of Naga heads, which gives it a very distinctive look. Located in the heart of busy Phnom Penh, the Independence Monument attracts many visitors, not only for its unique architecture, but also for its location: it’s in the middle of a busy intersection and the eastern side features a large, open park that is a popular spot for locals to gather and jog or practice tai chi and aerobics.

Preah Khan was built around the same time as Angkor Thom, and like it was conceived as a whole city, though on a smaller scale. It was erected on the site of an important military victory and its outer perimeter is guarded by 72 stone garudas (winged mythological creatures depicted throughout Southeast Asia).

A stupa (a domed structure holding Buddhist relics) and numerous smaller Hindu temples indicate the spiritual mix that Preah Khan embodied. In later years it was renowned as a center of scholarly Buddhism. The restoration program has left mighty silk-cotton tree roots undisturbed; they make an awe-inspiring sight, appearing to wrestle with the stonework. Elsewhere a two-story, round-columned pavilion of uncertain purpose is a charming, free-standing oddity.

The prolific King Jayavarman VII was behind the creation of numerous temples in Angkor, but Neak Pean is one of his most unusual. A bit off the trodden tourist path, the temple sits on a small island in a reservoir, flanked by four smaller ponds fed by carved gargoyles. Scholars believe that in building the temple, the king was trying to recreate the sacred Anavatapta Lake in the Himalayan Mountains, which is believed to be situated at the top of the universe. At the time Neak Pean was built, devotees would come to the temple to bathe in the waters, which were believed to have healing powers. This site in particular is an interesting example of one of many “hospital” temples and structures Jayavarman was famous for building. While the central temple itself is blocked off, a wooden platform takes visitors out toward it and makes for a beautiful stroll, especially in the evening when the light of the sunset reflects off the water.